Beautiful oil painting on canvas by the important Italian artist Giancarlo Cazzaniga (Monza 1930 – Milan 2013) entitled "Glicine". At the back authoritative stamp and signature to guarantee the authenticity of the historic Gallery San Carlo in Milan that has always been a reference point for the historical European avant-gardes of the second '900. Also accompanied by a certificate of authenticity always issued by the San Carlo gallery on photos of the work. Great treatable price send your purchase proposal. It works for collectors.
MISURE WITH CORNICE H 84 L 73 unframed 60 x 50
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Painting oil on canvas Giancarlo Cazzaniga (1930-2013) "Glicine"
€2.500,00
or best offer
Description
biographical note:
Giancarlo Cazzaniga was born in Monza in 1930.
Since 1950 he attended the Cimabue Academy in Milan and during the 1950s he made his debut by participating in public and thematic exhibitions.
In the early years of the Second World War he was one of the patrons of the Jamaica bar, a famous meeting place for artists of that time. Here he comes into contact with the artistic current of Existential Realism, born in those years between the Jamaica bar and the Academy of Brera and which saw among its initiators Bepi Romagnoni, Mino Ceretti, Giuseppe Guerreschi, Giuseppe Banchieri and Tino Vaglieri. What these artists had in common in those years was a new way of feeling the figure and the reality of the outside world, as well as the desire to find an alternative way to both informal and social realism.
Cazzaniga joined the group along with Floriano Bodini and Gianfranco Ferroni. With the latter he shared a studio in Via Garibaldi in Milan for a time. There were some photos of him with his friend and musician Chet Baker and it was during this time that he began his friendship with two other masters of Italian jazz: Franco Cerri and Enrico Intra. It is no coincidence that the night world of jazz music has been one of the great themes of Cazzaniga's painting.
He held his first solo exhibition in 1957 in Brescia. In 1958 he was present at the exhibition "Young Italian Artists" at the Museum of Permanente in Milan and in 1959, also in Milan, he won the San Fedele Prize.
In 1962 he participated in the XXXI Venice Biennial with a selection of works on the theme of jazz music, jazz man. Here he is presented by Mario De Micheli, who describes his style: "Cazzaniga is not a painter who loves harshness, dissonances, agitated chromaticism. He relies particularly on the sign: a quick, dense, allusive sign that composes the image by approximations. Even the spaces in which its players are located are crossed by lightning signs that excite its drafting, making it animated by secret energies. In this way the vague or blind surface of its funds participates in the notes, the rings, the voice of the jazz man, becomes a visible echo."
In 1966 he was present again at the Venice Biennale and in 1965 at the Quadriennale in Rome.
From the moment the season of Existential Realism reaches its conclusion Cazzaniga will always remain faithful to the same themes and motifs, but faced with infinite variations. There are two subjects that characterize his work from here on: jazz musicians on the one hand, nature and landscapes on the other. In relation to the latter two, Luca Pietro Nicoletti describes his as "painting in which objects are returned by signs and brush, far from any descriptiveism, looking more like a "feeling" of nature in the tangle of flowers and plants".
Among the many prizes obtained can be mentioned: the Suzzara Prize, the Venice Biennale Engraving Prize, the Fiorino Prize in Venice. His activity is accompanied by an intense bibliography and a long series of solo exhibitions in public venues and private galleries, in Italy and abroad.
He died in Milan on December 5, 2013.
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